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Ilhas canária

 
Refugio 2020

Refuge

Festival De Arte Lanzarote - Ilhas Canárias - Espanha

Lanzarote Art Festival - Canary Islands - Spain

Esferas de vidro (plafon)

Glass spheres (ceiling light)

Diâmetro 15 cm (x 100 unidades)

Diameter 5.9 in (x 100 units)
 


Evento de Impacto 2018

Event of Impact

Reserva Adolpho Ducke – Manaus – Brasil

Adolpho Ducke Reserve – Manaus – Brazil

Fibra de vidro mimetizada como pedra

Fiberglass mimicking stone

60 cm diâmetro médio dos elementos (x 5 unidades) 

23.622 in average diameter of the elements (x 5 units).
 

Manaus 2018

Londres

Estrutura Volátil 2011/2024

Volatile Structure

Old Billingsgate Walk - London - UK

Nylon (tecido) e motor acoplado.

Nylon (fabric) and coupled motor.

600 x 600 x 230 cm (x 2 unidades)

236.2 x 236.2 x 90.6 in (x 2 units)
 

Kobe

Concha 2005

Shell 

Hyogo Prefectural Museum of Art – Kobe - Japão

Hyogo Prefectural Museum of Art – Kobe - Japan

Compensado, cordões de espuma e cola

Plywood, foam cords and glue.

106 x 100 x 21 cm

41 x 39 x 8 in
 

Alcobaça 2013

Escarlate réquiem 

Scarlet Requiem

Obranome – Alcobaça – Portugal

Nylon e motor acoplado.
 
Nylon and coupled motor.

600 x 600 x 230 cm 

236.2 inches × 236.2 inches × 90.6 inches.
 

Curitiba 2025

Ágora Suspensa (Suspended Agora), 2024

Memorial de Curitiba- Bienalsur – Curitiba - Brasil

Curitiba Memorial – Curitiba - Brazil

tecido elástico, tubos de alumínio, cabo de aço e seixos rolados.

elastic fabric, aluminum tubes, steel cable and rolled pebbles.

1200 x 400 x diâmetro 600 cm + cabos de aço de ancoragem

472.4 x 157.5 x diameter 236.2 in + steel anchoring cables
 

Sydney 2025

Sculpture by the sea - Sydney – Australia 

Tramas Vitais (Vital Threads) 2021/2025

Resina, PVC e tinta automotiva

Resin, PVC and automotive paint

60 x 500 x 30 cm

23.6 x 196.9 x 11.8 inches
 

Perth 2014

Estrutura Volátil (Volatile Structure), 2011/2024

Sculpture by the sea – Perth - Australia

Nylon (tecido) e motor acoplado.

Nylon (fabric) and coupled motor.

600 x 600 x 230 cm (x 3 unidades) 

236.2 x 236.2 x 90.6 inches (x 3 units) 
 

Nova Iorque 2011

Estrutura Volátil (Volatile Structure) 2011/2024

Art in Odd Places – New York – USA

Nylon (tecido) e motor acoplado.
 
Nylon (fabric) and coupled motor.
 
600 x 600 x 230 cm 
 
236.2 x 236.2 x 90.6 in
 

Curitiba 2013

Estrutura Volátil (Volatile Structure), 2011/2024

MuMA – Curitiba - Brasil

Municipal Museum of Curitiba

Nylon (tecido) e motor acoplado.

Nylon (fabric) and coupled motor.

600 x 600 x 230 cm (x 16 unidades) 

236.2 x 236.2 x 90.6 inches (x 16 units) 
 

Milão 2023

Estrutura Volátil 2011/2024

Volatile Structure

Superstudio - Milão – Itália

Superstudio - Milan - Italy

Nylon (tecido) e motor acoplado.

Nylon (fabric) and coupled motor.

600 x 600 x 230 cm (x 2 unidades)

236.2 x 236.2 x 90.6 in (x 2 units)
 

Brasília 2013

Estrutura Volátil (Volatile Structure), 2011/2024 Eixo Monumental de Brasília – Brasília - Brasil Monumental Axis of Brasilia – Brasilia – Brazil Nylon (tecido) e motor acoplado. Nylon (fabric) and coupled motor. 600 x 600 x 230 cm (x 32 unidades) 236.2 x 236.2 x 90.6 in (x 32 units)

Brasília 2012

Estrutura Volátil - Prêmio (Volatile Structure-  Award), 2011/2024

Eixo Monumental de Brasília – Brasília - Brasil

Monumental Axis of Brasilia – Brasilia – Brazil

Nylon (tecido) e motor acoplado.

Nylon (fabric) and coupled motor.

600 x 600 x 230 cm (x 32 unidades)

236.2 x 236.2 x 90.6 in (x 32 units)
 

Mun Brasília 2011

Larnaca 2025

Bienal de Larnaca – Larnaca – Chipre

Larnaca Biennial – Larnaca – Cyprus

Linhas, artérias e raízes 

Lines, arteries and roots

Diâmetro 59 x 160 cm

Diameter 23.2 x 63.0 inches
 

Granada 2011

Estrutura Volátil (Volatile Structure), 2011/2024

Bienal do Milênio – Granada – Espanha

Millennium Biennial – Granada - Spain

Nylon (tecido) e motor acoplado.

Nylon (fabric) and coupled motor.

600 x 600 x 230 cm (x 4 unidades) 

236.2 x 236.2 x 90.6 inches (x 4 units) 
 

Motherbord 2024

Placa-mãe

Motherboard

Berlin Climate Art Collection – Berlin – Alemanha

Berlin Climate Art Collection – Berlin – Germany

Cabos, conexões eletrônicas e fios descartados

Discarded cables, electronic connections and wires

Diâmetro 90 x 35 cm

Diameter: 35.4 x 13.8 in

Estrutura Volátil 2022 / 23

Site-specific
Superestudio Più – Milão – Itália (dezembro – fevereiro)

Elementos de Risco 2019

Brasilia

Elementos de Risco 2019

Risk Elements

Instalação Individual - Brasília – Brasil

Solo show Installation – Brasilia – Brazil

Placas de compensado descartadas e parafusos.

Discarded plywood sheets and screws.

Diâmetro médio das 5 unidades 150 cm

Average diameter of the 5 units: 150 cm (approximately 59.06 inches)

Buenos Aires

Buenos Aires

Silver Lines 2002

Fundación Rómulo Raggio Museu – Buenos Aires – Argentina

Arame de alumínio e fio de aço

Aluminum wire and steel wire

70 x 70 x 23 cm (x 2 unidades)

27.56 x 27.56 x 9.06 in ( x 2 units)

Curitiba 2007

Curitiba

Intersecções 2007

Intersections

Memorial de Curitiba  – Curitiba – Brasil

Curitiba Memorial – Curitiba – Brazil

Fibra de vidro, compensado e pvc

Fiberglass, plywood and PVC

3 trabalhos com dimensões variáveis (esfera: diâmetro 180 cm)

3 works with variable dimensions (sphere: 70.87 in)

Curitiba 2010

Sustentabilidade

Sustainability

Individual – Museu de Arte Contemporânea do Paraná – Curitiba – Brasil

Solo Show – Museum of Contemporary Art of Paraná – Curitiba - Brazil

Compensado, espuma de poliuretano e zipers

Plywood, polyurethane foam and zippers

Instalação; dimensões variáveis

Installation; variable dimensions

Curitiba 2018

Sobre Aqueles 2018

Over Those

Casa Museu Alfredo Andersen – Curitiba – Brasil

Alfredo Andersen House Museum – Curitiba – Brazil

Arame de alumínio e fio de aço

Aluminum wire and steel wire

70 x 70 x 23 cm (x 2 unidades)

27.56 x 27.56 x 9.06 in (x 2 units)

Curitiba 2021

Estruturas Vitais 2021

Vital Threads

BIENALSUR - Museu Oscar Niemeyer - Curitiba – Brasil

BIENALSUR - Oscar Niemeyer Museum - Curitiba – Brazil

Resina, tecido e cordões de espuma

Resin, fabric and foam cords

Dimensões variáveis; agulha 1300 x 50 x 30 cm

Dimensions variable; Needle element: 511.8 x 19.7 x 11.8 in

Curitiba 2022

Em Vão 2022

In Vain

Museu Oscar Niemeyer - Curitiba – Brasil

Oscar Niemeyer Museum - Curitiba – Brazil

Estopa e pregos feitos de resina

Tow and nails made of resin

84 x 125 x 68 cm

33.1 x 49.2 x 26.8 in

Sydney Bondi - 2016

Estrutura Volátil (Volatile Structure), 2011/2024

Sculpture by the sea – Sydney – Australia

Tecido impermeável e fibra de poliéster.

Waterproof fabric and polyester fiber.

80 x 80 x 23 cm (x 8 unidades)

31.5 x 31.5 x 9.06 in (x 8 units)

Nova Iorque 2022

No meio do caminho – 2022

Midway

Art in Odd Places – New York – USA

Pedra inflável.

Inflatable pebbles.

Diâmetro variável, aproximadamente 120 cm

Variable diameter, approximately 47.244 in

Adelaide

Earth - 2018

Heysen Sculpture Bienial – Adelaide – Australia

Cabos de colheres plásticas descartadas, cola e barro.

Handles of discarded plastic spoons, glue, and clay.

54 x 203 x 9 cm (x 3 unidades)

21.26 x 79.92 x 3.54 inches (x 3 units)

ABOUT ME

Born in upstate Paraná, Geraldo Zamproni currently works in his studio in Curitiba, where he lives. Although he graduated in Architecture and Urbanism, from the State University of Londrina (UEL), his proficiency in art came to him naturally. For two decades he has been exploring the different relationships between space, nature, and man, as well as trying to perfect the aesthetic and plastic qualities of industrial materials–such as plastic, iron, and foam, which are present from his very first works–, and are certainly a reflection of his history and the legacy of his time lived in the school of architecture.

The observer’s visual bestrangement and the change in perspective regarding space are the main intentions behind Zamproni~s works, and he does it by reinventing the relationships between object, environment, and observer; thus, using materials and the space in his favor.

This instability that is produced by his work creates a new dialog between the work and its observer which is supported by the references inscribed within the work: the everyday elements that have their scale, usage, and habitat dislocated. By rearranging these elements in an unexpected place, a new, unique, and instigating architecture is born.

Many are the artworks by Zamproni that force the observer to take a closer look at the work and perceive the humor behind his proposition made with such thought-provoking and aesthetic wealth. It is worth mentioning: Entre Sem Bater (2006), Estruturas Brincantes (2012/13), Estrutura Volátil (2012 – 2014), Sustentabilidade (2015), Seres Domésticos (2020), among others.

Zamproni does not have a rigid creative process; he starts from the demands of the projects. His work is all handmade, forcing him to explore in depth all of the properties and possibilities of each material he uses. His studio is a space of neverending experimentation, and Zamproni manages to see beyond what the material seems to be to what it could be. There is no limit to Zamproni, for him, the future looks just like a horizon of possibilities.

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